251 major improvvisation/composition - The blog of Demetrio “Dimitry” Scopelliti, guitar player, composer, producer and instructor. Albums: The Silent Watcher, The Art of Complications, Codex Magika, Evolution, The Codex Videos, O Sole Mio Goes Metal, Yoga, News, Bio, Dates, Disco, Videos, Pics, Presskit
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 Dimitry guitar player, teacher, music producer 
 
  Evolution (Sep 15, 2008) is my first album. The recording sessions lasted from March to August 2008. I worked on this record during the breaks from touring with my band Arcadia.
  My 2nd solo album is called Codex Magika and was produced on Sep 18, 2012.
  The Codex Videos was released on Sep 18, 2013. Watch some clips here.
  The Art of Complications is out since Jan 10, 2016.
  The next album, The Silent Watcher, was released on Nov 4, 2018.
  My latest album, « V », is out since Apr 10, 2022.
Dimitry
251 major improvvisation/composition
 by Dimitry, 23/05/2009 15:29:36, Lessons articles, read 2485 times

 

251 is 1 of the most used and common used cadences in Rock pop and jazz..
For those who don’t know what 251 stands for we are talking about a sequence of chords of this type:
2nd grade, 5th grade & 1st grade.
 
Example: Dmin7, G7, Cmaj7  
 
We will talk about that from “a not jazzist” point of view.
We are on C major Key.
 
-         Which notes can we play in order to create some nice melodies without playing something “too much standard”?
 
We can have really different solutions about that and we can divide our improvisation in 2 different parts like this:
 
1 - We use arpeggios and triads.
2 – We play scales.
 
About the 1st that’s a good example that will help you guys a lot to create really cool melodies:
 
 
Point 1 - ARPEGGIOS
 
Dmin
 
 
-------------------------------------------------
-------------------------------------------------
--------------5---7---5------------------------
----------7--------------7----------------------
---5---8----------------------8----5-----------
-------------------------------------------------
 
 
 
------------5---8---5--------------------------
---------6-------------6------------------------
------7-------------------7---------------------
-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
 
 
G7
 
 
-------------------------------------------------
-------------------------------------------------
---------------------------------------------------
----------------3---5---3------------------------
--------2---5--------------5---2-----------------
-----3----------------------------3---------------
 
 
 
 
-------------------------------------------------
-----------3---6---3---------------------------
-------4--------------4-------------------------
----5--------------------5----------------------
-------------------------------------------------
-------------------------------------------------
 
 
C maj 7
 
 
-------------------------------------------------
-------------------------------------------------
------------4--5--4-----------------------------
-----2---5-----------5---2---------------------
--3-------------------------3-------------------
-------------------------------------------------
 
 
 
-----------3----7----3-------------------------
-------5----------------5-----------------------
----5-----------------------5-------------------
-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
 
 
Point 2: Scales
 
Here we can really be creative (being carefull not to play wrong notes on the sequence of chords):
 
D min 7:
 
 
- C major scale (considering D min as 2nd grade on the C major scale)
 
- D min + min pentatonic scale (considering D minor as 6th grade on the F major scale)
 
-         F major scale (considering D min as 6th grade(eolian mode))
 
-         Bb major scale (considering D min as 3rd grade on that scale)
 
G7:
 
-         C major scale (G7 is 5th grade)
 
 
C maj 7:
 
-         C major scale
-         A min scale
-         A min pentatonic scale
-         A min blues pentatonic scale
 
 
That’s actually what I think sounds best on a 251 major sequence based obviousely on my experience of recording and composing during the years..
Give a chance to that suggestion and have fun ;.-)
Take care..
Dimitry
 
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